PERMEA

My work emerges from dance, artistic research, and ongoing somatic practice. Living and working across different cultural contexts has shaped how I facilitate: not by imposing methods, but by working with what is present. I approach the body as a responsive system that holds experience, adapts, protects, and continuously reorganizes in relation to environment, history, and social context.

I work with frameworks rather than fixed techniques, creating spaces for inquiry, experimentation, and reflection. Through movement, stillness, writing, and relational practices, I use improvisation and attention as tools to observe patterns, question habits, and explore alternative ways of sensing, relating, and responding. The creative process is central, allowing internal experiences to become visible, embodied, and reworked.

At the core is a commitment to care, consent, and responsibility. I understand safety as something that is continuously negotiated, especially when working with complex and sensitive material. Rather than aiming to fix or resolve, the work supports awareness, embodied agency, and the capacity to stay with what emerges — individually and collectively.